Friday, 21 August 2020

Alex Turner Donates his Fender Stratocaster to Help Rescue UK Independent Grassroot Music Venues

 

Be In With a Chance to Win Alex Turner’s Fender Stratocaster Guitar!

With the pandemic causing humongous financial detriment to the music industry, it’s only right that those who have established their careers, help those that have supported them and helped them on the way up. Lead singer of Arctic Monkeys, Alex Turner is raising money in conjunction with Music Venues Trust and Crowdfunder to help rescue independent grassroot venues across the UK, in particular - The Leadmill in Sheffield. 

Covid-19 has had a huge impact on the stability of the music industry, hundreds of grassroot venues are in danger of closure. What does this mean? This means that those small intimate gigs where you discover your favourite bands, will no longer stand. How are new/small bands supposed to grow and get noticed if there are no more intimate venues for those to play their music? These grassroot venues have helped pretty much every successful band from the UK to have ever existed, they’ve created a gateway for being noticed, and they’ve created communities amongst people that wouldn’t necessarily be in cahoots with one another otherwise.

The Fender Stratocaster that is up for grabs is the guitar Turner used during the first ever Arctic Monkeys gig at The Grapes, Sheffield on June 13th 2003. In order to be in for a chance to win this great piece of indie music memorabilia, entry is £5 and you can enter as many times as you like. The competition is open globally for anyone over the age of 18. The winner will be announced and contacted by Friday 28th August 2020 and the guitar can be shipped anywhere in the world.

Everyone who enters the draw will also gain access to an exclusive viewing of the band’s 2006 performance at Reading Festival. Access to view the performance will be invite only and be available for 24 hours. Everyone who enters will be sent a link two hours before it begins via e-mail, and the viewing will shown at 8:00pm BST on August 26th 2020. 

All funds raised will go to Music Venue Trust to help support the Leadmill and other independent UK music venues. Crowdfunder is also waving its platform fee to ensure every penny gets donated directly to the cause.

To help sustain the UK’s independent grassroot music venues and to be in for a chance to win Alex Turners iconic Fender Stratocaster, click on the link here

Good luck!


Friday, 7 August 2020

S-O-T Fave - Psyence Release New Single ‘Tusk’ *OUT TODAY!!* (Single Review)

**OUT TODAY**

Rising up through the cracks from the glorious city of Stoke-on-Trent, the local favourite alt-rock band, Psyence are back with new tune ‘Tusk’. OUT NOW. The five-piece are becoming seasoned pros at creating well produced, and well put together music and ‘Tusk’ just confirms that. Psyence are for fans of Royal Blood and Nothing but Thieves - so if you like those - you’ll definitely like Psyence. 

Immense talent is displayed throughout the track, not just in the sound of the instruments and vocals but in the production too. The track is alternative rock, with electrifying riffs and hard-hitting drums - a little bit heavy, but not too heavy - a bit grunge-ified if you will. 

My excited brain can’t even begin to imagine seeing this track live, consuming the crowd regardless of venue size. ‘Tusk’ is a song that can work in a 100 cap venue, and also encapsulate thousands on a main stage - which it deserves. This is Psyence. 

If you like the track, go and check out their self-titled debut album Psyence that was released in 2019. Available to stream and buy on all music platforms now. Follow their social media pages: Facebook/ Instagram/ Twitter/ YouTube


Sunday, 2 August 2020

Brandy is Back and She Means Business With New Album - B7 (Album Review)


Having released her self-titled debut at the tender age of fifteen, Brandy is back producing music on her own terms since her eight year hiatus - and she means business. Her seventh album B7 was released Friday 31st July. Commonly known for her ‘The Boy Is Mine’ duet ft Monica, Brandy is a true 90s R’n’B icon. Her eight year hiatus stemmed from troubles with her label and a fight for creative control, she then set up her own label and released B7, her first album since 2012’s Two Eleven. “I was able to team up with eOne and create my own imprint, my own label from there, and start the process of creating B7.” Brandy says to Rolling Stone. B7 entails complete creative control, and is an album built on the brink of releasing the music industries chains, breaking out, and doing what YOU want to do. Seasoned artists like Brandy often get to this stage in their career where they revel in pure creative freedom and it is often their most raw and honest work to date. B7 is no exception.

Addressing her absence, in the opening line of the album’s first track, ‘Saving All My Love for You’, a nod to Whitney Houston, she says “Sorry for my tardy, long time I was broken-hearted. Hearted and guarded. A target, god-damn. Can we let me live?” an impressionable powerful opening line. She gives further homage to Whitney in the track quoting she was the GOAT which is a common acronym translating to ‘greatest of all time’ (which she really was), “I’m as solid as a rock without the boat, kinda like the goat, but I ain’t saving all my love.”

Next track, ‘Unconditional Oceans’ applies modern R’n’B tones and is a song based on realising your self worth in the post break up stages of a relationship - reflecting on how you were treated, and never allowing yourself to be treated like that again. Learning the lessons of love. Brandy shows her artistic metamorphosis within this track - and the album as a whole - through her obvious understanding of modern day R’n’B combined with her experience in old school more traditional R’n’B. 

As well as creative control, the album is also heavily based around love. Not just your generic love though, it’s about family love, self love and love in relationships too. ‘Rather Be’, ‘Lucid Dreams’ , ‘Borderline’, ‘No Tomorrow’ ‘Love Again’ and ‘Baby Mama’ are great examples of love displayed in various ways throughout the album.  

‘Borderline’ focus’ on how envy can ruin relationships and the mental attack relationships can create on your health, “I’ll give you this heart of mine, ooh, I’m on the borderline, yeah yeah, oh, oh don’t wanna be schizo this time. Never ever cheat, never lie to me. I’m the most jealous girl in the whole wide world.” 

Some of the album standouts consist of ‘No Tomorrow’ a traditional catchy 00’s R’n’B tune, emphasising on the no guarantee of tomorrow, and keeping loved ones close, “I’m gonna blow your phone up in case there is no tomorrow. And I won’t let you go, like there’s no tomorrow.” 

‘I Am More’ is another standout, it has a bit of a rock edge including the electric guitar into the track throughout. ‘I Am More’ is about self-love in various areas of life, “I love you more than a friend, a friend, my friend. I can’t be the other woman histress or a side piece order.”  The track has great fluidity, and the words flick off Brandy’s tongue proving just how much ‘more’ she is worth, she raps, “Bein’ an original since 1994, ask a snitch, never catch me coming off of a bench playing the six, never catch me in a group singing with some other chicks.” A little dig at the music industry, perhaps? 

Displaying her beautiful vocals the most has to be ‘High Heels’ a track featuring her daughter Sy’Rai, entering with a harmonious vocal trail on the opening, this track showcases Brandy’s full range of abilities, rapping, harmonies, vocal range - the lot. Working alongside her daughter must just have that effect on her. The album includes two more features, one with Daniel Caeser on ‘Love Again’, and ‘Baby Mama’ft Chance the Rapper. ‘Baby Mama’ is about being a single mum and the strength they have acting as both a father and a mother, being self dependent and not needing a man to replace the father figure - but having one because you want one to love. Chance the Rapper raps, “I know it’s hard when your baby momma dont want you, especially if she don’t need you.” 

Closing off the album is the complete serve - ‘Bye Bipolar’. It enters with a piano intro and opens with,  “Bye bye bye bipolar, I don’t really want no more disorder. Pretty boy in love you both shoulders colder. Cause you strung me like thread I was damn near dead. And you fucked with my head like lead russian roulette and I cried and cried and cried and cried, died and died and died alive”. ‘Bye Bipolar’ is absolute genius, and in my opinion is the most passionate and best track on B7. Her voice is so gentle and the vocal trails and harmonies just touch you, along with the twinkling sounds on the assisting piano. Again, this track is about self realisation and self love, and realising your own worth, as Brandy sings, “A flock with so many sheep, a fraud living with me and I see it. One day I woke up and now my love is unsewn, I can see who you really are ‘cause I’m a star. Bye bye bye bipolar.” She playfully sings the last line, “That’s why I lost your ring and you can keep your last name, never had your last name to mine I’m saying never saying never” and she closes the album off with that absolute SERVE. 

The only bugs I have to bare with the album is the fillers. All My Life pt.1 / pt.2 and pt.3 didn’t really do much justice for the album as tracks. With those tracks being around 40 seconds long, they were rather unimpactful as solo tracks - they would have been better suited as an outro for other songs. 

The 15 track album is not a re-brand, but a biographical venture of Brandy’s fight for creative control, her struggles of being a single mother, her emotional experiences and all of the blessings that come with the ‘curses’. K7 is about self-love, self-realisation, self-reflection, and positive infestations. She is free. The shackles have been set loose and Brandy is back. It’s good to have you.